William Guanbo Su, Bass

The New York Times

 

The bass William Guanbo Su in arias from Handel’s “Orlando” and Bellini’s “La Sonnambula,”, displayed his musical taste, honest execution of Handelian ornaments and bel canto filigree, and a solid voice.  -Anthony Tommasini

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Bio

Houston Grand Opera

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Studio Artist, Season 2019-2020

The Juilliard School

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Master of Music, Class 2019

Manhattan School of Music

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Bachelor of Music, Class 2017

Opera

Rigoletto

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Opera Theatre of Saint Louis


Saturday, 6/1: Performance #1

Wednesday 6/5: Performance #2

Friday 6/14: Performance #3

Thursday 6/20: Performance #4

Saturday 6/22: Performance #5

Wednesday 6/26: Performance #6

Sunday 6/30: Performance #7

Le Nozze di Figaro (Cover)

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Opera Theatre of Saint Louis


Saturday, 5/25: Performance #1

Friday, 5/31: Performance #2

Thursday, 6/6: Performance #3

Saturday, 6/08: Performance #4

Wednesday, 6/12: Performance #5

Sunday, 6/16: Performance #6

Wednesday, 6/19: Performance #7

Saturday, 6/29: Performance #8

Vi ravviso

Gerda Lissner Winner’s concert at Carnegie Hall, Zankel Hall. May 6th, 2018.

About

Opera

 Il Commendatore - Don Giovanni


Basilio - Il barbiere di siviglia;


Pluton - Hippolyte et Aricie;


Herr Reich - Die lustigen Weiber von Windsor; 


Badger/Priest - Cunning little vixen;


Seneca - L'incoronazione di Poppea;

Oratorio

Bass solo - Handel's Messiah (Carnegie Hall 2018)


Bass solo -Haydn's Missa Cellensis, Hob. XXII:5


Bass solo - Bach Christmas oratorio (Carnegie Hall, Zankel Hall Debut. 2017)


Competition

Final Winner, Met National Council audition Eastern Region 2019


Second Prize, Eleanor McCollum Competition, Houston Grand Opera 2019 


The First prize winner for the Gerda Lissner/Lieder competition.

Contact

William Guanbo Su

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